Abraham and Isaac
Abraham and Isaac
1799–1800 · Yale Center for British Art
Christ Giving Sight to Bartimaeus
Christ Giving Sight to Bartimaeus
1799–1800 · Yale Center for British Art
Thomas Alphonso Hayley, Half-Length Drawing
Thomas Alphonso Hayley, Half-Length Drawing
c. 1800 · Yale Center for British Art
The Ghost of a Flea
The Ghost of a Flea
c. 1819 · Tate Britain
Wat Tyler
Wat Tyler
c. 1819 · The Morgan Library & Museum
Visionary Head of Edward III
Visionary Head of Edward III
c. 1819 · Private collection
Visionary Head of Edward VI
Visionary Head of Edward VI
c. 1819–1820 · Private collection
Visionary Head of Harold killed at the Battle of Hastings
Visionary Head of Harold killed at the Battle of Hastings
c. 1819 · Private collection
Visionary Head of Owen Glendower
Visionary Head of Owen Glendower
1819 · Private collection
Visionary Head of the Great Earl of Warwick, Richard Neville
Visionary Head of the Great Earl of Warwick, Richard Neville
c. 1819 · Private collection
Visionary Heads of Friar Roger Bacon and the Poet Gray
Visionary Heads of Friar Roger Bacon and the Poet Gray
c. 1819–1820 · Private collection
Visionary Heads of Joseph and Mary
Visionary Heads of Joseph and Mary
c. 1819–1820 · Private collection
Visionary Heads of Saladin and the Assassin
Visionary Heads of Saladin and the Assassin
c. 1819–1820 · Huntington Library / related collection history
Visionary Heads of William Wallace and Edward I
Visionary Heads of William Wallace and Edward I
c. 1819–1820 · Private collection
Visionary Heads of Uriah and Bathsheba
Visionary Heads of Uriah and Bathsheba
c. 1819–1820 · Private collection
Wat Tyler's Daughter
Wat Tyler's Daughter
c. 1819 · National Gallery of Art, Washington
Old Thomas Parr when Young
Old Thomas Parr when Young
c. 1820 · Private collection
Visionary Head of Corinna the Theban
Visionary Head of Corinna the Theban
c. 1820 · Private collection
Visionary Head of Voltaire
Visionary Head of Voltaire
c. 1820 · Private collection
Visionary Head of Queen Eleanor, wife of Edward I
Visionary Head of Queen Eleanor, wife of Edward I
c. 1820 · Huntington Library, Art Museum, and Botanical Gardens
Virgin and Child
Virgin and Child
1825 · Yale Center for British Art
For Children. The Gates of Paradise, Plate 1, Frontispiece, “What is Man!”
For Children. The Gates of Paradise, Plate 1, Frontispiece, “What is Man!”
1793 · Yale Center for British Art
For Children. The Gates of Paradise, Plate 2, Title Page
For Children. The Gates of Paradise, Plate 2, Title Page
1793 · Yale Center for British Art
For Children. The Gates of Paradise, Plate 3, "I found him beneath a Tree"
For Children. The Gates of Paradise, Plate 3, "I found him beneath a Tree"
1793 · Yale Center for British Art
For Children. The Gates of Paradise, Plate 4, "Water"
For Children. The Gates of Paradise, Plate 4, "Water"
1793 · Yale Center for British Art
For Children. The Gates of Paradise, Plate 5, "Earth"
For Children. The Gates of Paradise, Plate 5, "Earth"
1793 · Yale Center for British Art
For Children. The Gates of Paradise, Plate 6, "Air"
For Children. The Gates of Paradise, Plate 6, "Air"
1793 · Yale Center for British Art
For Children. The Gates of Paradise, Plate 7, "Fire"
For Children. The Gates of Paradise, Plate 7, "Fire"
1793 · Yale Center for British Art
For Children. The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
For Children. The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
1793 · Yale Center for British Art
For Children. The Gates of Paradise, Plate 9, "Alas!"
For Children. The Gates of Paradise, Plate 9, "Alas!"
1793 · Yale Center for British Art
For Children. The Gates of Paradise, Plate 10, "My Son! my Son!"
For Children. The Gates of Paradise, Plate 10, "My Son! my Son!"
1793 · Yale Center for British Art
For Children. The Gates of Paradise, Plate 11, "I want! I want!"
For Children. The Gates of Paradise, Plate 11, "I want! I want!"
1793 · Yale Center for British Art
For Children. The Gates of Paradise, Plate 12, "Help! Help!"
For Children. The Gates of Paradise, Plate 12, "Help! Help!"
1793 · Yale Center for British Art
For Children. The Gates of Paradise, Plate 13, "Aged Ignorance"
For Children. The Gates of Paradise, Plate 13, "Aged Ignorance"
1793 · Yale Center for British Art
For Children. The Gates of Paradise, Plate 14, "'Does thy God O Priest take such vengeance as this?"
For Children. The Gates of Paradise, Plate 14, "'Does thy God O Priest take such vengeance as this?"
1793 · Yale Center for British Art
For Children. The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
For Children. The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
1793 · Yale Center for British Art
For Children. The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"
For Children. The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"
1793 · Yale Center for British Art
For Children. The Gates of Paradise, Plate 17, "Death's Door"
For Children. The Gates of Paradise, Plate 17, "Death's Door"
1793 · Yale Center for British Art
For Children. The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
For Children. The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
1793 · Yale Center for British Art
Dream of Thiralatha
Dream of Thiralatha
c. 1794–1796 · National Gallery of Art
The Accusers of Theft, Adultery, Murder (War)
The Accusers of Theft, Adultery, Murder (War)
c. 1794–1796 · National Gallery of Art
Joseph of Arimathea Preaching to the Britons
Joseph of Arimathea Preaching to the Britons
c. 1794–1796 · National Gallery of Art
The Ancient of Days
The Ancient of Days
1794 / proof c. 1820 · Yale Center for British Art
Christ Appearing to His Disciples After the Resurrection
Christ Appearing to His Disciples After the Resurrection
c. 1795 · National Gallery of Art
Pity
Pity
1795 · Metropolitan Museum of Art
Elohim Creating Adam
Elohim Creating Adam
1795 · Tate Britain
The Night of Enitharmon's Joy (Hecate)
The Night of Enitharmon's Joy (Hecate)
1795 · Tate Britain
Nebuchadnezzar
Nebuchadnezzar
c. 1795 · Museum of Fine Arts, Boston
The Dance of Albion (Glad Day)
The Dance of Albion (Glad Day)
c. 1803–1810 · National Gallery of Art
Joseph of Arimathea Among the Rocks of Albion
Joseph of Arimathea Among the Rocks of Albion
c. 1803–1810 · National Gallery of Art
Newton
Newton
c. 1804 · Tate Britain
Jerusalem, Plate 26, "Such Visions Have...."
Jerusalem, Plate 26, "Such Visions Have...."
1804–1820 · Yale Center for British Art
Jerusalem, Plate 51
Jerusalem, Plate 51
1804–1820 · Yale Center for British Art
Jerusalem, Plate 76
Jerusalem, Plate 76
1804–1820 · Yale Center for British Art
Jerusalem, Plate 100
Jerusalem, Plate 100
1804–1820 · Yale Center for British Art
The Chaining of Orc
The Chaining of Orc
1812 · National Gallery of Art
For the Sexes: The Gates of Paradise, Plate 1, Title Page
For the Sexes: The Gates of Paradise, Plate 1, Title Page
c. 1818 · Yale Center for British Art
For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
c. 1818 · Yale Center for British Art
For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . ."
For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . ."
c. 1818 · Yale Center for British Art
Job and His Family
Job and His Family
1825 · Yale Center for British Art
Satan before the Throne of God
Satan before the Throne of God
1825 · Yale Center for British Art
Job's Sons and Daughters Overwhelmed by Satan
Job's Sons and Daughters Overwhelmed by Satan
1825 · Yale Center for British Art
The Messengers Tell Job of His Misfortunes
The Messengers Tell Job of His Misfortunes
1825 · Yale Center for British Art
Satan Going Forth from the Presence of the Lord and Job's Charity
Satan Going Forth from the Presence of the Lord and Job's Charity
1825 · Yale Center for British Art
Satan Smiting Job with Boils
Satan Smiting Job with Boils
1825 · Yale Center for British Art
Job's Comforters
Job's Comforters
1825 · Yale Center for British Art
Job's Despair
Job's Despair
1825 · Yale Center for British Art
The Vision of Eliphaz
The Vision of Eliphaz
1825 · Yale Center for British Art
Job Rebuked by His Friends
Job Rebuked by His Friends
1825 · Yale Center for British Art
Job's Evil Dreams
Job's Evil Dreams
1825 · Yale Center for British Art
The Wrath of Elihu
The Wrath of Elihu
1825 · Yale Center for British Art
The Lord Answering Job out of the Whirlwind
The Lord Answering Job out of the Whirlwind
1825 · Yale Center for British Art
When the Morning Stars Sang Together
When the Morning Stars Sang Together
1825 · Yale Center for British Art
Behemoth and Leviathan
Behemoth and Leviathan
1825 · Yale Center for British Art
The Fall of Satan
The Fall of Satan
1825 · Yale Center for British Art
The Vision of Christ
The Vision of Christ
1825 · Yale Center for British Art
Job's Sacrifice
Job's Sacrifice
1825 · Yale Center for British Art
Every One also Gave Him a Piece of Money
Every One also Gave Him a Piece of Money
1825 · Yale Center for British Art
Job and His Daughters
Job and His Daughters
1825 · Yale Center for British Art
A Warring Angel
A Warring Angel
c. 1780 · National Gallery of Art
Moses Receiving the Law
Moses Receiving the Law
c. 1780 · Yale Center for British Art
Satan Approaching the Court of Chaos
Satan Approaching the Court of Chaos
1784–1785 · Yale Center for British Art
Tiriel Supporting the Dying Myratana and Cursing His Sons
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786–1789 · Yale Center for British Art
A Man Seen from Behind, Rising on Clouds
A Man Seen from Behind, Rising on Clouds
c. 1794 · National Gallery of Art
Satan Exulting over Eve
Satan Exulting over Eve
1795 · J. Paul Getty Museum
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 23, "A Long Story."
The Poems of Thomas Gray, Design 23, "A Long Story."
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 29, "A Long Story."
The Poems of Thomas Gray, Design 29, "A Long Story."
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 31, "A Long Story."
The Poems of Thomas Gray, Design 31, "A Long Story."
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 46, "The Progress of Poesy"
The Poems of Thomas Gray, Design 46, "The Progress of Poesy"
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 52, "The Progress of Poesy"
The Poems of Thomas Gray, Design 52, "The Progress of Poesy"
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 61, "The Bard."
The Poems of Thomas Gray, Design 61, "The Bard."
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 63, "The Bard."
The Poems of Thomas Gray, Design 63, "The Bard."
1797–1798 · Yale Center for British Art
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797 · Yale Center for British Art
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797 · Yale Center for British Art
Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
1797 · Yale Center for British Art
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tongue"
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tongue"
1797 · Yale Center for British Art
Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
1797 · Yale Center for British Art
Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
1797 · Yale Center for British Art
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
1797 · Yale Center for British Art
Young's Night Thoughts, Page 13, "The present moment terminates our sight"
Young's Night Thoughts, Page 13, "The present moment terminates our sight"
1797 · Yale Center for British Art
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
1797 · Yale Center for British Art
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797 · Yale Center for British Art
Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."
Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."
1797 · Yale Center for British Art
Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
1797 · Yale Center for British Art
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
1797 · Yale Center for British Art
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797 · Yale Center for British Art
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
1797 · Yale Center for British Art
Young's Night Thoughts, Page 27, "O treacherous conscience!"
Young's Night Thoughts, Page 27, "O treacherous conscience!"
1797 · Yale Center for British Art
Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
1797 · Yale Center for British Art
Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
1797 · Yale Center for British Art
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
1797 · Yale Center for British Art
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
1797 · Yale Center for British Art
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
1797 · Yale Center for British Art
The Poems of Thomas Gray, Design 53, "The Bard."
The Poems of Thomas Gray, Design 53, "The Bard."
1797 · Yale Center for British Art
The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
1797 · Yale Center for British Art
The Poems of Thomas Gray, Design 77, "The Descent of Odin."
The Poems of Thomas Gray, Design 77, "The Descent of Odin."
1797 · Yale Center for British Art
The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
1797 · Yale Center for British Art
The Poems of Thomas Gray, Design 93, "Ode for Music."
The Poems of Thomas Gray, Design 93, "Ode for Music."
1797 · Yale Center for British Art
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
1797 · Yale Center for British Art
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
1797 · Yale Center for British Art
The Poems of Thomas Gray, Design 39, "Ode to Adversity."
The Poems of Thomas Gray, Design 39, "Ode to Adversity."
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 55, "The Bard."
The Poems of Thomas Gray, Design 55, "The Bard."
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 56, "The Bard."
The Poems of Thomas Gray, Design 56, "The Bard."
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 58, "The Bard."
The Poems of Thomas Gray, Design 58, "The Bard."
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 59, "The Bard."
The Poems of Thomas Gray, Design 59, "The Bard."
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 60, "The Bard."
The Poems of Thomas Gray, Design 60, "The Bard."
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 62, "The Bard."
The Poems of Thomas Gray, Design 62, "The Bard."
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 64, "The Bard."
The Poems of Thomas Gray, Design 64, "The Bard."
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 65, "The Bard."
The Poems of Thomas Gray, Design 65, "The Bard."
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 66, "The Bard."
The Poems of Thomas Gray, Design 66, "The Bard."
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 73, "The Fatal Sisters."
The Poems of Thomas Gray, Design 73, "The Fatal Sisters."
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 79, "The Descent of Odin."
The Poems of Thomas Gray, Design 79, "The Descent of Odin."
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."
The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."
The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 101, "Ode for Music."
The Poems of Thomas Gray, Design 101, "Ode for Music."
1797–1798 · Yale Center for British Art
The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
1797–1798 · Yale Center for British Art
The Ghost of Samuel Appearing to Saul
The Ghost of Samuel Appearing to Saul
c. 1800 · National Gallery of Art
Sealing the Stone and Setting a Watch
Sealing the Stone and Setting a Watch
1800–1803 · Yale Center for British Art
A Woody Landscape
A Woody Landscape
c. 1801 · Yale Center for British Art
The Death of Saint Joseph
The Death of Saint Joseph
1803 · National Gallery of Art
Joseph and Potiphar's Wife
Joseph and Potiphar's Wife
c. 1803–1805 · Yale Center for British Art
Albion Compelling the Four Zoas to Their Proper Tasks
Albion Compelling the Four Zoas to Their Proper Tasks
1804–1810 · Yale Center for British Art
The Great Red Dragon and the Beast from the Sea
The Great Red Dragon and the Beast from the Sea
c. 1805 · National Gallery of Art
The Great Red Dragon and the Woman Clothed with the Sun
The Great Red Dragon and the Woman Clothed with the Sun
c. 1805 · National Gallery of Art
An Angel with a Trumpet
An Angel with a Trumpet
1805–1808 · Yale Center for British Art
Mary Magdalen at the Sepulchre
Mary Magdalen at the Sepulchre
c. 1805 · Yale Center for British Art
The Widow Embracing Her Husband's Grave
The Widow Embracing Her Husband's Grave
c. 1805
The Rest on the Flight into Egypt (The Repose of the Holy Family in Egypt)
The Rest on the Flight into Egypt (The Repose of the Holy Family in Egypt)
1806 · Metropolitan Museum of Art, New York
The Archangel Raphael with Adam and Eve (Paradise Lost)
The Archangel Raphael with Adam and Eve (Paradise Lost)
1808 · Museum of Fine Arts, Boston
The Temptation and Fall of Eve (Paradise Lost)
The Temptation and Fall of Eve (Paradise Lost)
1808 · Museum of Fine Arts, Boston
Copy of the Laocoön, for Rees's Cyclopædia
Copy of the Laocoön, for Rees's Cyclopædia
1815 · Yale Center for British Art
King Canute
King Canute
c. 1819–1820 · National Gallery of Art
A Visionary Head
A Visionary Head
1819–1820 · Yale Center for British Art
Five Visionary Heads of Women
Five Visionary Heads of Women
1819–1820 · Yale Center for British Art
Sheet from the Blake-Varley Sketchbook, Pages 27 and 28
Sheet from the Blake-Varley Sketchbook, Pages 27 and 28
1819 · Yale Center for British Art
Sheet from the Blake-Varley Sketchbook, Pages 37 and 38
Sheet from the Blake-Varley Sketchbook, Pages 37 and 38
1819 · Yale Center for British Art
Study for a Destroying Deity
Study for a Destroying Deity
1820–1825 · Yale Center for British Art
Socrates, a Visionary Head
Socrates, a Visionary Head
c. 1820 · Yale Center for British Art
The Parable of the Wise and Foolish Virgins
The Parable of the Wise and Foolish Virgins
c. 1822–1826 · Yale Center for British Art
Antaeus Setting Down Dante and Virgil in the Last Circle of Hell
Antaeus Setting Down Dante and Virgil in the Last Circle of Hell
1824–1827 · National Gallery of Victoria
Dante Running from the Three Beasts
Dante Running from the Three Beasts
1824–1827 · National Gallery of Victoria
St Peter and St James with Dante and Beatrice
St Peter and St James with Dante and Beatrice
1824–1827 · National Gallery of Victoria
The Schismatics and Sowers of Discord: Mahomet
The Schismatics and Sowers of Discord: Mahomet
1824–1827 · National Gallery of Victoria
Queen Katherine's Dream
Queen Katherine's Dream
c. 1825 · National Gallery of Art
Landscape with Spire
Landscape with Spire
· Yale Center for British Art